While making this painting I was haunted by the line from Shakespeare: Saints have hands that pilgrims' hands do touch/ And palm to palm is holy palmers' kiss. This line provided the title for the painting and served as a kind of mantra, summing up the design strand of the choreography of hands. The pilgrim's hands were one of the most carefully designed aspects of the work, and each took as long to create as the entire figure. Awestruck by the vision of the sculpture, the boy reaches out to the handrail for support. The trees flanking the staircase also reach out, but towards the monument, as though lifting laurels to an emperor, palms outstretched. The sculpture itself is centrally defined by the the gesture of its hands, the depicted hero reaching up toward a vision of his own.
This is a landscape painted with oil on paper. It was painted from a photograph and the subject is a pond in Central Park. The visual theme is "distance" and all of my choices were made in order to communicate and stress the illusion of space. The painting was made in four layers, with a few days between each one to allow the paint to dry. I am going to describe the process of each layer. STEP 1 The first step is to block in the large shapes. This is a means of mapping out the composition, choosing which objects will be included and which omitted. The exact tones used at this stage are not absolutely critical but are an approximation of the target colors. Since they will serve as a substrate for subsequent layers, I mixed them lighter and duller than my target colors. That way they won't dominate subsequent layers by showing through and altering the color of those layers—at least no more than I want them to. STEP 2 The next layer of paint is
Carolus Duran taught that, “In art, all that is not indispensable is unnecessary." Carolus Duran, Mademoiselle de Lancey I agree with Carolus, but the word "indispensable" is hard to define in art, and basically amounts to: that which is important to the artist . As such, it is difficult to tell how strictly Carolus adhered to his own principle. Especially in portrait art, an artist is inundated with the particulars of his sitter's personality, and does not necessarily have free reign to paint only that which he cherishes. Nevertheless, Carolus Duran proved canvas after canvas that he was devoted to producing clear, essentialized images. Duran, Spanish Woman His student, John Singer Sargent was equally devoted to this idea, particularly in regard to the depiction of tones, which was Duran’s special insight and concern in teaching. Duran taught that: “Objects in nature relieve one against each other by the relative values of light and shade which accompany and are
Kate Birch is a Utah based artist and fiction writer. I first encountered her on Instagram and was impressed by two words written beneath every post: "Daily Painting." In almost as many posts there is a third word: "SOLD." Kate produces a painting almost everyday. She has made a business of these paintings and I wanted to learn more. Andrew: Finding the motivation to produce can be one of the biggest challenges for artists. You produce a painting a day. How did that begin and how do you stay motivated? Kate: It started New Year’s Eve three or four years ago when I decided to write a poem everyday. I got to July and I wanted to quit with every ounce of my being. But I kept going and finished off the year. I realized there was something to creating constantly and putting it out in the world even if you don’t like it. You’re not going to love everything you produce but every once in while you’ll create something that you’re truly proud of. And I found that other peop
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